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photography in Sossusvlei
The Sossusvlei is one of the most famous tourist attractions in Namibia. As a photographer you
can have a wonderful time in this region. On my road trip I originally would spend three nights
here. In the end it became six, because I came back here later, when it turned out that the
north of Namibia was inaccessible for me due to the continuing heavy rainfall. Rain in the
dessert is not so likely so I decided to return to sesriem.. On my second visit to Sossusvlei I
mainly went to Deadvlei.
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I stayed at the campsite within the gates of Sossusvlei, so that I could reach the vlei before
sunrise and could stay until after sunset and still make it to the inner gate before closing.
From the inner gate there is a road of about 60 km to the place where you can access the deadvlei,
sossusvlei and hidden vlei. The maximum speed here is 60 km because of the animals, so you are on
your way for about an hour.
As a photographer you have to use the moments around sunrise and sunset. The rest of the day the sun
is too bright to take interesting pictures. When the sun is low its backlight is perfect to take
pictures that emphasize the layering of the dunes. At sunrise and sunset the shadow of the dunes
shifts through the valley, leaving pieces in the shadow and other parts still in full sun. You can
make good use of this. In google earth you can run an animation to see how the shadows will shift.
Climbing dunes, which many tourists do, is less interesting for the photographer. Dune 45 which is
located 45 km from the inner gate is often climbed. I photographed on and around dune 39 (39 km from
the gate), because there are hardly any tourists, so you do not have any people in your image and
there are no traces in the sand except those made by nature. Also there is a tree at the foot of the
dune that completes the composition.
Oryx walk through the area, which always do well in this landscape.
A place not to be missed is Elim Dune. To get there you have to turn right after the inner gate on a
gravel road. You then arrive at a dune that is especially beautiful at sunset. You can also include
the mountains behind the dune in your composition.
In terms of equipment, I had a tripod, wide-angle 14-24 2.8 and 24-70 2.8 and my Nikon D810 full
frame included. On the 24-70 a polarization filter. You cannot mount filters on the 14-24.
Backlight shots are often made with my telephoto lens 80-200 2.8 or the 80-400 5.6, because of the
Layering in the dunes which is thus better appreciated. I use a cable release or apply a 3-second shutter
release delay to avoid blur caused by camera shake. I often use live view.
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